Having eschewed the idea of releasing albums in favor of new, alternative methods of music distribution, the Smashing Pumpkins have released their latest song as the soundtrack to a commercial for the Hyundai Genesis.  The commercial premiered before the kickoff to the Super Bowl on Sunday.

Years into the digital music era, artists are still struggling to figure out how to make a living off their creations.  They have experimented with everything from stringent digital copyright protection to giving away music for free.  The Pumpkins have moved to what some may consider the bleeding edge of the music distribution model: releasing songs via new media (or mass media).

Some say the model is nothing new, and it has a name:  selling out.

Who wants honey / as long as there’s some money?

Corgan has already been attacked for the band’s direction as far as music releases go, with their decision to release their single “G.L.O.W.” as part of the new “Guitar Hero: World Tour.”  A lot of observers seem to have a difficult time resolving the Pumpkins’ desire to push forward in new directions while still capitalizing on the cachet they retain from their past successes.

At times, Corgan seems to struggle with resolving the two himself, alternating between cursing fans for failing to respect the band and its direction and earnestly pleading the band’s case for its choices.  He uses the monumental success of their mid-90s work as evidence that they know what they’re doing, then at other times is dismissive of it, saying in one interview that “We spun a roulette wheel and we got it right.”

Come align for the big fight / to rock for you

Having grown weary of battling record labels, bandmates, and anyone else who has complicated his creative life, Corgan and his new compatriots seem determined to blaze a new path through uncharted territory, even if it means going to war with Pumpkins fans themselves.

Corgan recently told the Chicago Tribune:

Our primary function now is to be a singles band, that drives Pumpkins Inc. through singles. We’ll still be creative, but in a different form. We won’t do shows like this anymore, where we try to draw a good crowd and balance the past with the present. We’ll go small and do exactly what we want to do and stop playing catalogue. We’ll be like a new band that can’t rely on old gimmicks. [. . .]  We don’t want a pat on the back: Good to have you back. We want a reaction, even if it’s a negative reaction.

Those fans are more than ready for what Corgan wants to offer:  music delivered in ways that are meaningful to them.  Fans will pay for what they perceive to be value (which generally means more than “just” music–they want a full “experience”), but as they’ve shown, they will quite vocally walk away when they feel they aren’t getting their money’s worth.

“Our intention is to work within popular [media] to bring counterculture, radical ideas into the mainstream,” Corgan said.  The mainstream is obviously receptive; the only question that remains is whether Corgan’s message is the one they’re waiting to hear.

The best things in life…

The Pumpkins got a payday, but it doesn’t have to come from your pocket.  For the price of an email address, you can download  F.O.L., courtesy of the Hyundai Genesis.

And if you missed it, check out the commercial here.

And one more thing.

I owe a special thanks to miss Julie M. T. for guiding me into and through all things Smashing Pumpkins.  Check out her poetry, cultural insights, and saga-in-many-parts about meeting Mr. Corgan himself at Gossip and the Devil.

Something terrible happened recently to a group of guys very dear to my heart.  As a picture is worth a thousand words, let me give you the short version:

Kill Hannah Bus Fire Video

While speeding along on a lovely fall Swiss morning, en route to gay Paree for the next show of the Hope for the Hopeless Tour, something went terribly wrong.  Minutes later, everyone on the double-decker tour bus was on the side of the road, neither fully dressed nor awake, watching all their personal possessions go down in flames.  Anyone who has followed the fortunes of Kill Hannah for any amount of time will have one of two reactions:  Well, it’s about par for the course… or, Why, on top of everything else they’ve had to go through, now this?

Why, indeed?  It’s only natural to ask that question when something goes wrong.  Why me, why them, why now?

I’ve come to believe there is no answer to that question.  Some things just are–without reason–and tragedy is one of them.  Nobody points the fickle finger of fate at you and declares it time to pay your dues.  I think life is one cascading domino effect after another, with causes and effects that at any one particular moment are impossible to discern.  Sure, the things that go wrong have very specific reasons and causes, though they may have nothing to do with us individually.  There is a definite cause of Kill Hannah’s bus fire.  Did they have anything to do with it personally?  Likely not.  Even if so, the tragic events aren’t a referendum on their qualities as people, the way they live their lives, their choice of tour bus company, etc.

Nobody ever deserves tragedy.  Nobody.  Can people bring tragic events upon themselves?  Of course.  Can those tragic consequences sometimes give others a sense of gratification when it feels like poetic justice for wrongs committed?  Of course.  But in the end, events themselves are just that: events.  They bear no quality of “right” or “wrong,” “deserved” or “undeserved.”  They just are.

Toni Morrison said, “The purpose of evil is to overcome it.”  The way a person reacts when tragedy befalls them speaks far more to their character than the nature of the tragedy itself.  Nobody can escape bad things.  However, not everyone can learn from those things and move past them a changed and better person.  There, if anything, is the purpose of suffering through tragedy.

Thankfully, the boys in Kill Hannah (along with the other bands and people on the bus) escaped the fire unscathed.  You can check out Kill Hannah’s myspace profile to see the damage to the bus, and see them standing stocking-footed and dazed while the bus burns, then sifting through what’s left to try to salvage what they can.  It takes a certain amount of bravery to put your vulnerability and shock out there for the world to share with you, and the fact that the guys have tried to laugh about this as best they can, then get back on the road to finish their tour as soon as possible speaks volumes about them.  They are hardworking, earnest, creative, driven men who are the epitome of Nietzsche’s declaration, “That which does not kill me, makes me stronger.”